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DPA 4099 CORE Mic, Loud SPL, stereopar for trekkspill

Art.nr: 4099-DC-1-101-A
15.369,-
Antall:

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DPA
Leverandørlager. 5-7 virkedager til lager.

  • CORE av DPA-teknologi inni

  • Supercardioid instrument kondensatormikrofon

  • Håndterer høye SPLer

  • Overlegen gevinst-før-tilbakemelding

  • Fleksibel og enkel montering

  • Skånsom og enkel å montere på instrumentet

  • Avtakbar kabel og en allsidig svanehals- forlenger


4099 er allerede den anerkjente standarden for denne typen mikrofon, og CORE-versjonen legger bare enda et lag med lydkvalitet som fjerner denne mikrofonen ytterligere fra konkurrentene. 4099 CORE gir mer klarhet og detaljer til musikken din, over hele det dynamiske området. Alle som leter etter den aller høyeste lydkvaliteten bør velge CORE – hver musiker, live lydtekniker og alle andre som setter sin ære i kvalitetslyd.

CORE by DPA er en kraftig ny teknologi i hjertet av DPA-miniatyrmikrofoner. Vi har minimert forvrengning. Fra pianissimo til forte vil du oppleve økt klarhet og åpenhet. Lær mer om CORE by DPA.

Fra piano til gitar; strenger til treblåsere; messing til perkusjon, 4099-serien låter like imponerende på dem alle. Denne ene mikrofonmodellen kan vakkert forsterke et helt orkester. Du kan flytte mikrofonen til et annet instrument; bare sørg for at du har riktig type klips for å montere den riktig. Den prisbelønte 4099-serien gir deg en mye mer naturlig lyd enn en hvilken som helst clip-on mikrofon eller pickup. Denne instrumentkondensatormikrofonen avviser uønsket støy og fanger nøyaktig den sanne stemmen til det akustiske instrumentet ditt.

Denne mikrofonen kommer i to versjoner:

4099 CORE Mic, Loud SPL (rød markering på svanehals) – brukes til å lukke mikrofonen de fleste typer instrumenter

4099 CORE Mic, Extreme SPL (gul markering på svanehals) – brukes til å lukke inn ekstremt høye instrumenter, som trommer og litt messing


4099 CORE har også en forbedret støtmonteringsdesign, som gir utmerket isolasjon fra håndteringsstøy og rumling. Avtakbare kabler er tilgjengelige i kraftige eller lette versjoner, avhengig av bruksområdet – begge er designet for å tåle påkjenningene ved daglig bruk. En allsidig, integrert svanehals-forlenger gir enkel og repeterbar montering.

Alle CORE by DPA-teknologimikrofoner, inkludert 4099 CORE, er IP58-sertifisert. Denne holdbarheten oppnås gjennom en rekke forsvarsmekanismer:
 
• Vannavvisende nanobelegg på dekselet og huset
• Hermetisk forsegling av den følsomme forsterkeren i kjernen av mikrofonen
• Dobbel gullbelegg av membranen

Egnede bruksområder:

  • Fiolin, bratsj, banjo og mandolin

  • Trommer og slagverk

  • Piano og flygel

  • Gitar, ukulele og dobro

  • Saksofon

  • Trompet, trombone og annen messing

  • Bass

  • Cello

  • Trekkspill

  • Obo, karinett, fagott, blokkfløyte og fløyte

Spesifikasjoner (eng)

  • Directional pattern: Supercardioid

  • Principle of operation: Pressure gradient

  • Cartridge type: Pre-polarized condenser

  • Frequency response: 20 Hz - 20 kHz

  • Effective frequency range ±2 dB, at 20 cm (7.9 in): 80 Hz - 15 kHz with 2 dB soft boost at 10-12 kHz. Second order low-cut filter at 80 Hz with DAD4099-BC

  • Sensitivity, nominal, ±3 dB at 1 kHz: 6 mV/Pa; -44 dB re. 1 V/Pa

  • Equivalent noise level, A-weighted: Typ. 23 dB(A) re. 20 μPa (max. 26 dB(A))

  • Distortion, THD < 1%: 128 dB SPL RMS, 131 dB SPL peak

  • Dynamic range: Typ. 108 dB

  • Max. SPL, THD 10%: 142 dB SPL peak (label color red)

  • Rated output impedance: From MicroDot: 30 - 40 Ω. From DAD4099-BC or DAD6001-BC: 100 Ω

  • Cable drive capability: Up to 300 m (984 ft) with DAD6001-BC/DAD4099-BC XLR Adapter

  • Output balance principle: Signal balanced with DAD4099-BC or DAD6001-BC XLR Adapter

  • Common mode rejection ratio (CMRR): > 60 dB from 50 Hz to 15 kHz with DAD4099-BC or DAD6001-BC XLR Adapter

  • Power supply (for full performance): For wireless systems: Min. 5 V - max. 10 V through DPA adapter

  • With DAD6001-BC or DAD4099-BC: P48 (Phantom Power). Will work from 12 V

  • Current consumption: Typ. 1.5 mA (microphone). 3.5 mA with DAD4099-BC or DAD6001-BC XLR Adapter

  • Connector: MicroDot

  • Color: Black

  • Weight: Microphone: 17 g (0.60 oz)

  • Microphone diameter: 5.7 mm (0.22 in)

  • Microphone length: 45 mm (1.8 in)

  • Cable length: 1.8 m (5.9 ft)

  • Cable diameter: 1.6 mm (0.06 in) / 2.2 mm (0.09 in)

  • Polarity: +V at MicroDot pin for positive sound pressure (and pin 2 on DAD4099-BC or DAD6001-BC XLR adapter)

  • Temperature range: -40°C to 45°C (-40°F to 113°F)

  • Relative humidity (RH): Up to 90%

  • Gooseneck length: 140 mm (5.5 in)

  • Sensitivity selection tolerance (at 1 kHz): ±1 dB

4099 - Loud SPL Frequency response

4099-DL-dvote-4099-Stereo-Mic-frequency-response.jpg


Typical on and off-axis response of a 4099 measured at 20 cm (7.9 in)

Polar pattern

4099-DL-dvote-4099-Stereo-Mic-polar-pattern.jpg


Typical directional characteristics of a 4099

Let your instrument choose the mic

The 4099 CORE was designed to get the best performance out of your instrument, so make sure you choose the correct version. We have created clips and mounts to fit a wide range of popular instruments. Even if your instrument is not listed below, there is probably a solution that will meet your needs.

Please note that for each type of instrument we have pre-selected the following parts for you:

  • Type of mount
  • Type of microphone, i.e. Loud or Extreme SPL
  • Type of microphone cable; Ø1.6 mm (0.06 in) or Ø2.2 mm (0.09 in)
  • Type of XLR adapter, i.e. either DAD4099 (with build in low cut) or DAD6001 (without low cut)


With each package, you are instantly ready to play your instrument with the microphone attached.


Optional gooseneck extension

The standard gooseneck length is 140 mm (5.5 in). The optional gooseneck extension unit is also available. This adds approx. 50% extra length, which helps reach the sweet spot for some instruments.


Detachable cables

The 4099 CORE Instrument Microphone series features cables that are detachable from the gooseneck. This makes it more convenient to mount the mic on an instrument before connecting it. You can also choose between different cable qualities, making it possible to tailor your mic to a specific task. The heavy duty 2.2 mm (0.09 in) cable is ideal for PA and live gigs. The thinner 1.6 mm (0.06 in) miniature cable is more appropriate for personal mounting on instruments. Both types of cables are strong and durable with an inner core of Kevlar.


Change the mount, not the mic


The 4099 Instrument Microphone is very adaptable, due to the wide selection of ingenious mounting options offered. Guitar, brass, flute, piano; it is no problem to mount the mic on any instrument. So finding a consistent sound for your mix has never been easier. The d:vote™ CORE 4099 Instrument Microphone comes with a wide variety of clips for use with specific instruments. Bass, brass, drum, violin and more!


A bit about supercardioids

A supercardioid microphone is similar to a cardioid – it is most sensitive to sound coming in at the front and is least sensitive at the back. Supercardioid mics tend to have a much narrower angle of sensitivity – making them even more focused than a “normal” cardioid mic. This off-axis sound will be more or less colored and damped – and, due to the narrow angle of focus, the area of damped sound is increased significantly. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.

Due to their nature, supercardioid mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with supercardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. In addition, supercardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.
 

Adapter system gives you flexibility

The adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality.

DPA miniature microphones work with all leading wireless mic solutions, such as, Sennheiser, Shure, Sony, Wisycom, Lectrosonics , Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come.

Violin, viola, banjo and mandolin

The 4099 CORE for Loud SPL is perfect for the violin, banjo and viola. Users will appreciate how gently this instrument condenser mic adheres to their prized instrument.



It is elegant, lightweight, unobtrusive and designed to stay out of the way during a passionate performance. The mounting mechanism makes it easy to move the mic between instruments with one hand.

Choose a 4099 CORE Instrument Microphone (4099-DC-1) for Violin (VC4099) for your violin, banjo or viola.

Drum

The 4099 CORE for Extreme SPL perfectly captures the booming sounds of drums and percussion instruments. Users will appreciate how gently this instrument condenser microphone adheres to their prized instrument. The mic can be easily positioned to fit different types of drums. The flexible gooseneck can be positioned at different angles to allow a variety of sound nuances. The mic is elegant, lightweight, unobtrusive and designed to stay out of the way during performances.



The mounting mechanism makes it easy to move the mic between instruments. The 4099 CORE Instrument Microphone for Drum includes a revolutionary ‘90° system which provides a wide range of mounting options.

By detaching the clip from the gooseneck and re-mounting it turned 90°, the number of mic positions is doubled. This mic can easily be combined with a wide variety of accessories. For the bass drum, the d:vote™ VC4099 Clip fits perfect on the rim.

Choose a 4099 CORE Instrument Microphone for Drums (4099-DC-2) for your drum kit and add a VC4099 clip for your bass drum.

Piano

This mic solution makes it easy to achieve a high level of isolation on stage. It also provides clean and transparent stereo sound quality with realistic dynamics.


It is a complete system, which includes a pair 4099 CORE mics for Loud SPL selected on sensitivity within ±1.5 dB. It includes two versatile magnet mounts/gooseneck systems that provide stable and repeatable positioning.
 

“The piano is the lead instrument and it’s what everyone follows. If they lose the piano or it doesn’t sound clear to them, it makes their job very difficult. The 4099 Instrument Microphones have enabled me to achieve a better quality and a more natural sound, which is my ultimate goal.”

– Briand Parenteau, monitor engineer for legendary jazz musician, Dr. John

Choose a 4099 CORE Stereo Microphone System for Piano (4099-DC-1) and (PC4099).

Guitar, ukulele and dobro

The 4099 CORE for Loud SPL is perfect for PA amplification and live recording of acoustic guitar, mandolin, ukulele and dobro. It offers practically unlimited placement possibilities. The sound it provides is considerably more natural than an internal microphone or pick-up.



The mic fits instruments with a body depth between 35 mm (1.4 in) and 122 mm (4.8 in). Users will appreciate how gently this condenser mic adheres to their prized instrument. It is elegant, lightweight, unobtrusive and designed to stay out of the way during a performance. The mounting mechanism makes it easy to move the mic between instruments with just one hand.

Choose 4099 CORE Instrument Microphone for Guitar (4099-DC-1) and clamp (GC4099) for your guitar, mandolin, ukulele or dobro.

Saxophone

The 4099 CORE for Loud SPL is perfect for the entire saxophone family: soprano, alto, tenor or baritone. It also sounds great on the bass clarinet. It comes with a very versatile clip that can be used on all types of sax and brass instruments.



Users will appreciate how gently this condenser mic adheres to their prized instrument. It is elegant, lightweight, unobtrusive and designed to stay out of the way during performances. The mounting mechanism makes it easy to move the mic between instruments with just one hand.

Choose a 4099 CORE Instrument Microphone for Saxophone (4099-DC-1) and clamp (STC4099) for your soprano, alto, tenor or baritone saxophone or your bass clarinet.

Trumpet, trombone and other brass

The 4099 CORE for Extreme SPL is perfect for trumpet, trombone and other brass instruments that can make a lot of sound. You can use it with or without mute. The microphone effortlessly handles even the highest sound pressure levels.

 



An innovative mounting mechanism makes it easy to move the microphone between instruments with just one hand. The microphone and its mounting system are both designed and optimized for the brass family. This ensures that the best mounting and audio reinforcement is achieved when performing live.

Choose a 4099 CORE Instrument Microphone for Brass (4099-DC-2) and clamp (STC4099) for your trumpet, trombone and brass in general.

Bass

The 4099 CORE for Loud SPL is the perfect mic solution for PA amplification and live recording of acoustic upright bass. It offers a sound that is considerably more natural than an internal microphone or pickup. There are several excellent placement possibilities on the instrument.



The microphone and its mounting system are both designed and optimized for the double bass. This ensures that the best mounting and audio reinforcement is achieved when performing live. The mic clip attaches to the E- and G-string below the bridge. This ensures mic placement in the sweet spot between the bridge and fingerboard.

Choose a 4099 CORE Instrument Microphone for Bass (4099-DC-1) and clamp (BC4099).

Cello

For perfect PA amplification and live recording of a cello choose the 4099 CORE for Loud SPL, which includes a mounting clip meticulously designed and optimized for the violoncello. It offers a sound that is considerably more natural than an internal microphone or pickup.



The clip attaches to the C and A string below the bridge. This places the microphone capsule in the sweet spot between the bridge and fingerboard, offering a unique combination of natural string sound and high audio separation on stage.

Choose a 4099 CORE Instrument Microphone for Cello (4099-DC-1) and clamp (CC4099).

Accordion

This mic solution makes it easy to achieve a high level of isolation on stage. It also provides clean and transparent stereo sound quality with realistic dynamics. It is a complete system, which includes a pair of 4099 CORE for Loud SPL selected on sensitivity within ±1.5 dB. The two included mic clips can be attached permanently to the instrument using screws.



Choose a 4099 CORE Stereo Microphone System for Accordion (4099-DC-1) and clamp (AM4099).

Oboe, clarinet, bassoon, recorder and flute

This 4099 CORE for Loud SPL solution is designed to address the unique mounting challenges of slim bodied and unusually shaped instruments. The design of the microphone clip includes a hook-and-loop fastener strap, which allows it to fit instruments of varying sizes and diameters such as the oboe, clarinet, bassoon, recorder and flute.



The fastener strap pulls tight to fit the circumference of the instrument, like a wristwatch on your arm. On instruments of a large diameter, additional fastener straps can easily be added to extend the clip’s reach. It is lightweight, unobtrusive and designed to stay out of the way during performances, using a revolutionary 90°-system which provides a wide range of mounting options. By detaching the clip from the gooseneck and re-mounting it turned 90°, the number of mic positions is doubled.

Choose a 4099 CORE Universal Instrument Microphone (4099-DC-1) and clamp (UC4099) for your oboe, clarinet, bassoon, recorder and flute.

Clamp Mount

The 4099 CORE for Loud SPL with a mount designed to be flexible, easy to use and quick to move. With a strong spring, the mount can be clamped onto many surfaces and instruments such as saxophones and brass instruments.



Choose a 4099 CORE Instrument Microphone with Clamp Mount (4099-DC-1) and clamp (CM4099).

Stand Mount

Even though the 4099 CORE is often used attached directly to a specific instrument, many users have asked for a solution to mount the mic on a regular microphone stand. Now you can get the unparalleled sound of the 4099 CORE for Loud SPL easily mounted on a mic stand.



This mount has both 3/8" and 5/8" threads thanks to the supplied insert. The construction of the holder allows for quick and easy insertion and removal of the microphone. In addition, the holder can be rotated so that the microphone is oriented vertically or horizontally.

Choose a 4099 CORE Instrument Microphone with Stand Mount (4099-DC-1-101-MS).

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