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A&H SQ-7X Digital Mixer

Art.nr: SQ-7
67.525,-
Antall:

Produktet er midlertidig utsolgt. Dersom du ønsker å motta en epost når vi får det inn på lager, kan du legge igjen epostadressen din i skjemaet under.

Allen & Heath
Leverandørlager. 5-7 virkedager til lager.

48 channel / 36 bus digital mixer

SQ-7 er SQ-seriens flaggskipp med hele 33 fadere og, som de øvrige modellene i serien, sitter en miniatyrisert utgave av Allen & Heaths banebrytende 96kHz XCVI FPGA motor i hjertet av mikseren. SQ-7 er skapt for å utmerke seg i krevende scenario som AV, corporate event, live-produksjoner och kirker, og tilbyr enestående lydkvalitet med høy oppløsning samt en ultra-lav latency på <0,7ms.

Mikseren har 32 eksepsjonelt gode innbygde mikrofonforforsterkere, pluss 8 stereo-FX-motorer med dedikerte stereo returkanaler samt tilgang til det kjente RackExtra FX-biblioteket. SQ7 er et naturlig valg som monitormixer og tilbyr 12 stereomixer (konfigurerbare som grupper eller aux), mens automikseren gjør den til et utmerket valg for konferanser, paneldiskusjoner m.m.

96kHz XCVI Core
SQ is a future-proofed, next-generation console, powered by Allen & Heath’s 96kHz XCVI FPGA engine. XCVI delivers class-leading high resolution audio quality, ultra-low latency of <0.7ms, variable bit depth for ultimate precision and noise performance, mix coherency down to the sample, and the sheer power to handle high channel / mix counts and ample FX / processing.

DEEP processing ready
SQ’s DEEP processing architecture allows owners to hand-pick boutique compressor and preamp emulations to suit their style and needs. DEEP plugins can be embedded directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.

The Ultimate IEM Mixer
With no less than 12 stereo mixes and super-low latency, and both parametric and graphic EQ on every mix, SQ is the perfect companion for in-ear monitoring setups. SQ’s airline-friendly compactness and rugged build quality mean there’s no reason to gamble on house monitor consoles again.

Expandable up to 48 mics
SQ-7 has all the onboard I/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix ‘n’ match solution for owners of other Allen & Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.

Dante, Waves and more
SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart’s content. It’s compatible with leading audio networking standards too – add an audio networking card such as Dante or Waves to SQ’s I/O port and you’re ready to integrate with installed systems, provide a digital FoH / Monitor split and more.

Flexible multitrack recording
The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music.

Also provided is a built-in 32×32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIO compliant and comes complete with MIDI and DAW control capabilities.

Advanced AMM*
SQ’s advanced automatic mic mixer (AMM) features make it ideally suited to mixing conferences, panel talks and TV shows. It’s fully integrated in the mixer too, with no extra latency, so you don’t need to route the audio to an internal DSP rack or an external plugin system.

Designed for the pro
We know that the live environment can be tough on gear – that’s why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.

The Mixing Experience
With each new design, the Allen & Heath team strives to get closer to the ultimate mixing experience. SQ’s dashboard is centred around a high-res 7” capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow.

Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.  SQ-6 also offers 16 Softkeys and 4 Soft Rotaries with displays that can be assigned to the functions you want at your fingertips, and a ‘channel to all’ mix button to instantly access all sends from the selected channel.

RackExtra FX
Allen & Heath has a well-earned reputation for crafting FX emulations that rival the very best plug-ins, but with none of the associated hassle. SQ is armed with 8 stereo FX engines and features the acclaimed RackExtra library of emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. All FX have dedicated stereo returns so you don’t need to waste input channels.

ME Personal Mixing System
SQ is fully compatible with the ME Personal Mixing System, allowing the performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander.

Allen & Heath

Allen & Heath

Profesjonell analog- og digital lydmiksing for liveopptredener, studio, scene og kringkasting. 

Lurer du på noe? Spør oss om Allen & Heath! 

Mic/Line Inputs

  • Mic/Line Inputs Balanced XLR, fully recallable
  • Input Sensitivity -60 to +0dBu
  • Switchable Pad -20dB
  • Analogue Gain 0dB to +60dB, 1dB steps
  • Maximum Input Level +30dBu
  • Input Impedance >5k?
  • THD+N, Unity gain 0dB0.002% -92dBu (20Hz-20kHz, AES Direct Out, @0dBu 1kHz)
  • THD+N, Mid gain +30dB0.003% -91dBu (20Hz-20kHz, AES Direct Out, @-30dBu INPUT 1kHz)
  • Phantom Power +48V (+3V / -2V

XLR Outputs

  • XLR Outputs Balanced, XLR
  • Outputs A and B Balanced 1/4" TRS Jack
  • Source Patchable
  • Output Impedance 75?
  • Nominal Output +4dBu = 0dB meter reading
  • Maximum Output Level +22dBu
  • Residual Output Noise -90dBu (muted, 20Hz-20kHz)

AES Digital Output

  • AES Digital OutputBalanced XLR 2 channel,
  • 96kHz sampling rate (Default with SRC Bypassed)
  • Switchable output sample rates,44.1kHz/ 48kHz/ 88.2kHz/ (96kHz)
  • 2.5Vpp balanced terminated 10M
  • SLink Neutrik EtherCON (RJ45)
  • dsnake mode (48kHz devices)64 channels assignable, compatible with AR2412, AR84, AB168, ME, Qu
  • dx mode (96kHz devices) 32 channels assignable, compatible with DX168
  • gigaACE (96kHz devices) 128 channels assignable, compatible with dLive, SQ and DXHub
  • Inputs Fully Patchable
  • Outputs Fully Patchable
  • Sync/SRC assignable as master audio sync for all modes, SRC 64 channel
  • I/O Port Multi-channel I/O option module
  • Inputs Fully Patchable
  • Outputs Fully Patchable
  • Sync/SRC assignable as master audio sync

Signal

  • Signal Measured balanced XLR in to XLR out, 0dB gain, 0dBu input
  • Dynamic Range 112 dB
  • Frequency Response +0/-0.5dB 20Hz to 20kHz
  • Headroom +18dB
  • Internal operating Level 0dBu
  • THD+N, Mic/Line routed to Main L/R Out Unity gain faders@0dB, 0.006%, -84dBu (20 - 20kHz)
  • dBFS Alignment +18dBu = 0dBFS (+22dBu at XLR output)
  • Meter Calibration 0dB meter = -18dBFS (+4dBu at XLR out)
  • Main Meter Type 2 x 12 segment, fast (peak) response
  • Channel Meter Type Chromatic Channel Metering, fully programmable colour/brightness
  • Peak Indication-3dBFS (+19dBu at XLR out), multi-point sensing
  • Sampling Rate 96kHz
  • Bit Depth Uses XCVI core custom bit widths in algorithms, up to 96bits
  • Latency <0.7mS, Local Mic Input routed to Main L/R. (Direct, No Effects)
  • Operating Temperature Range 0 deg C to 40 deg C (32 deg F to 104 deg F)
  • Mains Power 100-240V AC, 50/60Hz
  • Max Power Consumption SQ-5/SQ-6/SQ-775W / 90W / 110W
  • Faders 100mm motorised
  • Touch Screen 7" Capacitive, 800 x 480 resolution, 24 bit RGB
  • Soft Keys8 (SQ-5), 16 (SQ-6, SQ-7)
  • Soft Rotarys4 (SQ-6), 8 (SQ-7)
  • Mute Groups / DCA Groups 8 / 8
  • Network TCP/IP Ethernet for MIDI and Control
  • MIDI TCP/IP and USB B
  • Footswitch Single or Dual, Momentary or Latching

Source

  • CH1-48 Fully patchable
  • USB Global Source SQ-Drive or USB B Streaming
  • Polarity Normal/Invert
  • Trim -24 to +24dB
  • High Pass Filter 12dB/octave 20Hz – 2kHz
  • Insert (Pre EQ/Comp) Fully Patchable
  • Delay Up to 341ms
  • Gate Patchable Sidechain
  • Sidechain filter Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k
  • Threshold / Depth -72dBu to +18dBu / 0 to 60dB
  • Attack / Hold / Release 50µs to 300ms / 10ms to 5s / 10ms to 1s
  • PEQ4-Band fully parametric, 20-20kHz, +/-15dB
  • Band 1, Band 4 Selectable Shelving (Baxandall), Bell
  • Band 2, Band 3 Bell
  • Bell Width Variable Q, 1.5 to 1/9th octave
  • Compressor Patchable Sidechain
  • Sidechain filter Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k), Q=1
  • Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
  • Attack / Release 30µs to 300ms / 50ms to 2s
  • Knee Soft/Hard
  • Detector response Peak/RMS switchable
  • Parallel Path Compression dry/wet -infin to 0dB
  • Channel Direct Out Follow Fader, Mute, Mute Group, DCA (global all ch)
  • Source select Post-Preamp, Post-HPF, Post Gate, Insert Return, Post PEQ, Post Comp, Post Delay trim -infin to 10dB per channel
  • Insert (Pre EQ/Comp) Fully Patchable
  • Delay Up to 682ms
  • GEQ 28 bands 31Hz-16kHz, +/-12dB Gain, Constant 1/3 oct
  • PEQ As Input PEQ
  • Compressor As Input Compressor
  • Internal FX8 x Rack FX engine, Send>Return or Inserted (4 dedicated fx bus)
  • Types SMR Reverb, StereoTap Delay, Gated Reverb, ADT, BlueChorus, Symphonic Chorus, Flanger, Phaser
  • 8 dedicated Stereo FX returns Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ
  • PAFL PFL or stereo in-place AFL, 0 to -24dB Trim, PAFL Delay Up to 682ms
  • Talkback dedicated input, Assignable to any mix, Gain, Pad, 48V, 12dB/oct HPF
  • Signal Generator Assignable to any mix, Sine/White/Pink/Bandpass Noise
  • RTA 31-Bands 1/3 octave 20-20kHz, follows PAFL source
  • SQ-Drive USB A
  • Stereo Record2 channel, WAV, 96kHz, 24-bit, source fully patchable
  • Stereo Playback 1/2 channel, WAV, 44.1, 48, 96kHz 16,24-bit, source fully patchable
  • Multitrack Record 16 channel, WAV, 96kHz, 24-bit, track sources fully patchable
  • Multitrack Playback16 channel, WAV, 96kHz, 24-bit fully patchable
  • USB Audio Streaming USB B, Core Audio compliant, ASIO/WDM for Windows
  • Send (upstream) 32 channel, 96kHz, 24-bit
  • Return (downstream) 32 channel, 96kHz, 24-bit
  • AMM 2x 24ch or 1x 48ch, freely assignable
  • Mode Gain Sharing
  • Sidechain Filter HPF / LPF 12dB/octave 20Hz – 5kHz / 120Hz - 20kHz
  • Priority -15dB to +15dB per channel

SQ-5

  • Width x Depth x Height
  • Desk mounted 440 x 514.9 x 198 mm (17.3" x 20.3" x 7.8")
  • Packed in shipping box 610 x 680 x 360 mm (24" x 26.8" x 14.2")
  • Unpacked weight 10.5 kg (23.1 lbs)
  • Packed weight 14 kg (30.9 lbs)

SQ-6

  • Width x Depth x Height
  • Desk mounted 638 x 514.9 x 198 mm (25.1" x 20.3" x 7.8")
  • Packed in shipping box 820 x 680 x 360 mm (32.3" x 26.8" x 14.2")
  • Unpacked weight 13.3 kg (29.3 lbs)
  • Packed weight 17.3 kg (38.1 lbs)

SQ-7

  • Width x Depth x Height
  • Desk mounted 804 x 514.9 x 198 mm (31.7" x 20.3" x 7.8")
  • Packed in shipping box 960 x 685 x 360 mm (37.8" x 27" x 14.2")
  • Unpacked weight 17.8 kg (39.3 lbs))
  • Packed weight 21.9 kg (48.3 lbs)

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